Who Say's There's Nothing Good On TV Anymore?

To be sure, the majority of television is brain rot. The reality shows, in particular, are mind numbing. Yet, in the past few years, there have been three shows that have been examples of outstanding speculative fiction--which doesn't often translate well in this medium.

[1] Lost

Mystery. Suspense. Originality. Tight, interconnected plotting. Cliffhangers. Twists within twists. Complex characters with colorful pasts. Long sweeping arcs that span episodes and seasons.

On a show like, say, Star Trek, several problems occur at the beginning of an episode. Usually, there are minor problems and there are major problems, sometimes in the form of: a personal issue, a frivolous issue, a ship issue, an intergalactic issue. In the last five minutes, somebody presses a button, and all the problems go away (except for a token issue, in the form of a character quirk). The very next episode, all is forgotten. Most episodes could be done in any order. It's the equivalent of a short story.

Lost is speculative fiction as it should be. It makes full use of being a series. Sure, there is a structure to each episode: The main story on the island and a loosely related flashback, but each episode is a chapter (each section is a section), part of an ongoing whole.

The speculative elements are weaved in so seamlessly that the unsuspecting viewer probably doesn't know they're watching SF&F. The speculative elements are a constant source of unpredictable mystery, and evoke a sense of wonder, as well as giving a sandbox for the characters to play in.

[2] Terminator: The Sara Conner Chronicles

I was prepared to shrug off this show and allocate the time for better uses. However, this show has sunk in its hooks into my stomach and won't let go. The speculative fiction isn't original--it's based on prior works. Yet, there's much to explore in the relationship between Sara Conner and her son John, the future savior of mankind. And of course, there's John himself, who struggles to prepare for the End, to develop into the man he must become, as well as survive Skynet's attempts on his life, all while attempting to live a normal teen life.

For all characters, there is much conflict, both internal and external, both with friends and enemies. The plotting is intricate--and unpredictable. Like Lost, I've absolutely no idea of what's coming next.

[3] Journeyman

Unfortunately, in part due to the writer's strike, this show did not last a season. [The writer's strike is also the reason Season 4 of Lost is compressed and some of the plot developments seemingly arbitrary].

However, for such a fly by the night show, it really had a way of gripping my heart. Superficially, it did resemble Quantum Leap. A time traveler who goes back to correct some wrong. Yet, unlike Quantum Leap, the protagonist gets to go home. But since he can't control his mysterious ability, he can disappear at any time, and this leads to tensions between his wife, his brother, his boss, and nearly everyone else. The speculative element, therefore, is not mere wish fulfillment, rather it adds to the conflict.

While episodic, each episode wasn't insular. While he had a basic mission each time, it was chapter in an ongoing story. What happened in one episode, added to the subsequent arc.

Alas, we'll never get to know what caused his time traveling, or where the story would end up.

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For me, storytelling is storytelling. It doesn't matter if the fiction is written or in a visual or audio medium, as long as it's good. These three shows reveal that the venue is capable of hosting complex storylines with sophistication and character depth.

WOTF Volume 24

Thanks to a tip from Sarah L. Edwards's blog, WOTF24 is up on Audible. Check out the link "Download the accompanying PDF to see the illustrations." Even better, purchase and download.

http://www.audible.com/adbl/site/products/ProductDetail.jsp?BV_SessionID=@@@@1758423313.1219201284@@@@&BV_EngineID=ccceadeemelhjggcefecekjdffidfmf.0&productID=BK_ADBL_000313

WOTF 24: The Cover

On Amazon, the cover to Volume 24 has been revealed:

http://www.amazon.com/Writers-Future-Ron-Hubbard-Presents/dp/1592123740/ref=sr_1_6?ie=UTF8&s=books&qid=1216347136&sr=1-6

It's exciting. It's almost as if I had a story inside the anthology. Wait a minute--I almost did! Last year, I landed in the Top 8 and the Top 20. Of course, it's also exciting because I look forward to reading the stories inside. Over the past few years I've had a blast reading Volumes 21, 22, and 23(especially Volume 22). Whereas many of the pro SF&F publications often print esoteric works that don't grab me(often by pros resting on their established name), I find that these stories appeal to me more.

Nearfest 08 -> Sunday : Banco del Mutuo Soccorso

This is what it's all about! Symphonic prog at its best. The British might have invented Prog, but the Italians perfected it. Banco's Io Sono Nato Libero is one of the best compositions of all the ages. Even without Francesco Di Giacomo's operatic voice, Di Terra proved to be a strong album as well.

Unlike many other groups the same age, Banco is just as good today as they were thirty years ago. Francesco's vocals are still as powerful as they ever were. As is Vittorio Nocenzi's skills at the keys. The biggest surprise was wind player Alessandro Papotto perfectly quoting Rhapsody in Blue and then utterly slaying his instrument--musically speaking.

There were chops galore. And heart lifting melodies. By the end, I wanted to go down and give Francesco a bear hug.

Nearfest 08 -> Sunday : echolyn

echolyn's Suffocating The Bloom is one of my favorite albums of all times, one of the best albums of nineties Prog. Brett Kull's unique guitar tones--Chris Buzby's colorful keys--Paul Ramsey's jawdropping drumming--Tom Hyatt's fantastic bass--all exemplified Americanized Prog at its best. Counterpoint galore! And let's not leave out Ray Weston's dynamic vocal range, and how well it harmonizes with Brett's voice.

Their commercial follow up, As The World, pales in comparison, but it does have its moments of glory. Unfortunately, after their breakup and reunion, I was never able to get into their later music. Perhaps a little too close to 'modern/alt' rock for my taste.
At Nearfest, I don't think they were able to measure up to their studio sound. However, it could've been where I sat--up in the balcony again, in the last row. Sometimes the vocals were muddled below the mix and Ray and Brett did not seem to harmonize.
Still, Entry 11.19.03 was pretty good. The line " The mail was late again today" always gets to me.

Nearfest 08 -> Sunday : Radio Massacre International

I thought I'd like Radio Massacre International. A mix of rock and electronic music sounded intriguing. I do love Jean Michael Jarre, Kitaro, and when I'm in the mood ambient. But perhaps, I wasn't in the mood that day. I love sonic exploration, but sometimes I need a composition to latch onto. They started off guitar/bass/drums--so far, so good. Then the drummer and bassist both left to fiddle with their sequencers. And for the most part, that's what the set consisted of--sequencers and guitar meanderings. Even when they had a couple guests, it did not seem to add much. The poor violinist seemed rather lost at times.

I nodded off for a minute here and there. But, at least, I awoke refreshed…

Nearfest 08 -> Sunday : Mörglbl

Chris Godin showed himself a grandmaster of guitar, a mix of Steve Vai meets Alan Holdsworth meets Jan Akkerman. Six string bassist Ivan Rougny and drummer Aurelien Ouzoulias were up to par as well. While my attention drifted during some songs, their piece Tapas Nocturne was one of the best of the weekend.

Their musicianship is topnotch, but it is their humor and congeniality that won my heart. Mörglbl shatters all those stupid stereotypes about rude Frenchmen. Ties and bare feet--that sums them up perfectly.